1944
Operation Market Garden and its failure at Arnhem, with authentic wartime broadcasts. Ends with the famine winter of 1944.
Alex Poelman · Composer
Orchestra · Film
Selected Works
On Screen
Award-winning orchestral scores written to picture — with strong themes, emotional depth, and melodies that stay with you.
“I could listen to your music for hours, it’s THAT well written, and that compelling.”
Community
Coming up
Recent performances
© iSi fotografieAbout
Alex grew up in Oosterbeek, a small town near Arnhem in the Netherlands, where regular trips to the theatre and the occasional grand musical grew into a lasting love of music. No wonder his favourite composers are storytellers: Andrew Lloyd Webber, Alan Menken, John Williams, James Horner, Hans Zimmer and Howard Shore. That same love of narrative — with a lifelong pull toward nature and mythology — inspires everything he writes, always with one goal: music that moves people, tells a story, and lets an audience live it.
Born in Arnhem on 18 July.
Takes up the French horn with Koninklijke Harmonie Oosterbeek, taught by Christiaan Beumer.
While studying computer science in Enschede — and playing principal horn at Wilhelmina Glanerbrug — writes his first wind-band work, Volcano.
Debut symphony The Seven Wonders of the Ancient World is recorded by the Johan Willem Friso Kapel under Norbert Nozy; its movements become compulsory Dutch contest works for five years.
Jeanne d’Arc, a portrait of the French heroine for wind orchestra and solo horn — Alex’s own instrument.
Gé Reinders wins an Edison Award for his album Blaos mich ’t landj door, featuring Eine gek in Alex’s arrangement.
Premieres his second symphony, The Odyssey, a 45-minute work for choir and wind band, with the National Opera & Concert Choir of the Netherlands; recorded on DVD.
Commissioned by the Regimentsfanfare Garde Grenadiers en Jagers for two commemorations of twentieth-century Dutch history — 1944, on Operation Market Garden, and 1953, on the North Sea Flood.
Jekyll and Hyde, for wind orchestra and two duelling solo trumpets; performed at a contest in the concert division with a top score of 97/100.
Wins the Indie Film Music Contest with his score for Shift, a short film by Chen-Sing Yap — his film writing stepping into the spotlight.
Takes second place at the contest a year on, scoring Grizzly Business, an animated short by Kyle Nelson.
Commissions & Scoring
Film scoring, commissions for wind orchestras, brass ensembles and others, performance enquiries, or simply a question — whatever it is, I’d love to hear from you.
contact [at] alexpoelman [dot] com